Sarah Woodland

From Rongo to Ora: Relational pathways for language revitalisation in youth theatre

Fran Kewene, Sarah Woodland

Mā te rongo ka mōhio, mā te mōhio ka mārama, mā te mārama ka mātau, mā te mātau ka ora is a whakataukī, a proverb that articulates the notion that by feeling something you come to know; through knowing, you are enlightened; …

Ouganda, au (code pays fourni par la source)

Introduction: Re-evaluating Evaluation

Molly Mullen, Sarah Woodland, Rand Hazou

Abstract This introductory chapter situates Artful Evaluation within the dynamic landscape of participatory arts, health, and wellbeing in Australia and Aotearoa New Zealand. Arising from the 2023 Precarity, Creative Arts, and Wellbeing Symposium, the chapter foregrounds the need to re-evaluate evaluation itself—challenging …

Proterozoic highly siderophile element enrichment of the Kaapvaal cratonic Archean mantle

Nadine P. Cooper, David Graham Pearson, Andreas Auer, Tristan Bongartz et autres

The c. 86 Ma Jagersfontein kimberlite in the southern portion of the Kalahari craton in South Africa erupted a suite of refractory peridotite xenoliths with regionally anomalous rhenium+osmium (Re Os) isotope systematics and highly siderophile element (HSE) abundances. A portion of this …

nz, ca, jp, de, Afrique du Sud, au, dk (code pays fourni par la source)

A subduction-modified source for the parental melts to MARID assemblages from the Kaapvaal craton lithosphere and their formation via hybridisation with wall-rock peridotite

Jason Hinde, P. E. Janney, Hélène Legros, Yan Luo et autres

ca, Afrique du Sud, us (code pays fourni par la source)

Reflecting on the trajectory of applied theatre praxis with eight senior knowledge holders

Sarah Woodland, Penny Bundy

This paper offers insights from a series of discussions with senior knowledge holders in applied theatre reflecting on 30 years of research and practice and forecasting future directions in the field. The paper draws on the collective knowledge of an international group …

au (code pays fourni par la source)

Listening through Walls

Rand T. Hazou, Sarah Woodland

This chapter focuses on the Prison Voices project which comprised two creative components, a prison documentary theatre production, and an audio podcast. Both components received initial approval from Massey University Human Ethics Committee and the New Zealand Department of Corrections. While the …

Tracing the relative roles of lithospheric and sublithospheric mantle in kimberlite source regions using highly siderophile elements and Re-Os isotope systematics

Yong Xu, David Graham Pearson, BRUCE A. KJARSGAARD, Sarah Woodland et autres

ca, cn (code pays fourni par la source)

Youth theatre and the climate crisis in Australia: the role of ‘unmediatised liveness’ in performing recovery, resistance, and survival

Sarah Woodland, Linda Hassall, Anna Kennedy-Borissow

This paper presents the provocation that ‘unmediatised liveness', or experiences not filtered through digital technology, is vital to performances that promote recovery, resistance, and survival among young people in response to the climate crisis. Our provocation draws from interviews conducted with youth …

au (code pays fourni par la source)

Moving Beyond Recovery and Reconstruction: Imagining Extreme Event Preparedness Through Performing Arts

Jane W. Davidson, Sarah Woodland, Helena Grehan, Simonne Pengelly et autres

Abstract This chapter begins by examining the importance of resilience in response to extreme weather events, before considering the role of performing arts projects in dealing with the aftermath of disaster. Including First Nations approaches, examples from diverse cultural settings and the …

au (code pays fourni par la source)

Culturally Led, Culturally Safe Performance Making

Sarah Woodland, Kamarra Bell-Wykes

Abstract This chapter presents the first of the findings from our study into the five health education works led by Kamarra Bell-Wykes and produced by Ilbijerri Theatre Company from 2006 to 2019. These findings draw on interviews conducted with eight practitioners who …

au, gb (code pays fourni par la source)

Ilbjierri Theatre Company: Health Education Works (2006–2019)

Sarah Woodland, Kamarra Bell-Wykes

Abstract This chapter describes Ilbijerri Theatre Company’s health education theatre productions from 2006 to 2019, led by Kamarra Bell-Wykes (co-author) in her role first as writer and later dramaturg, facilitator, and director. These works sat under Ilbijerri’s Social Impact stream as separate …

au, gb (code pays fourni par la source)

Conclusion

Sarah Woodland, Kamarra Bell-Wykes

Abstract This chapter concludes our study of health education works produced by Australia’s Ilbijerri Theatre Company and led by Yuggera and Butchulla theatre maker Kamarra Bell-Wykes from 2006 to 2019. We draw together the findings to conclude that the works Chopped Liver, …

au, gb (code pays fourni par la source)