Mental Health Effects of a Wearable Heartbeat-Synchronized Haptic Device
Nathan W. Whitmore, Minsol Kim, Phoebe Chua, Yuyang Zhang et autres
ru, us (code pays fourni par la source)
Informations fournies par OpenAlex. Research Africa ne déduit ni nationalité, ni poste, ni coordonnées personnelles.
Nathan W. Whitmore, Minsol Kim, Phoebe Chua, Yuyang Zhang et autres
ru, us (code pays fourni par la source)
Nathan W. Whitmore, Minsol Kim, Phoebe Chua, Yuyang Zhang et autres
ru (code pays fourni par la source)
Phoebe Chua, Lily Tyszczuk, Ting Yuan Tay, Kat Rose Agres
sg (code pays fourni par la source)
Minsol Michelle Kim, Nathan W. Whitmore, Phoebe Chua, Serena Pei et autres
This study examines how amplifying real-time heartbeat feedback affects emotion regulation. Accurate heartbeat perception—a key facet of cardiac interoception—has been linked to emotional awareness and mental well-being, yet the causal role of interoceptive feedback in emotion regulation remains underexplored. We empirically tested …
us, sg (code pays fourni par la source)
Kat Rose Agres, Adyasha Dash, Phoebe Chua, Stefan K. Ehrlich
Music is a powerful medium for influencing listeners' emotional states, and this capacity has driven a surge of research interest in AI-based affective music generation in recent years. Many existing systems, however, are a black box which are not directly controllable, thus …
Cathy Mengying Fang, Phoebe Chua, Samantha Chan, Joanne Leong et autres
Emotions, shaped by past experiences, significantly influence decision-making and goal pursuit. Traditional cognitive-behavioral techniques for personal development rely on mental imagery to envision ideal selves, but may be less effective for individuals who struggle with visualization. This paper introduces Emotional Self-Voice (ESV), …
us, sg (code pays fourni par la source)
Phoebe Chua, Prasanth Sasikumar, Yadeesha Weerasinghe, Suranga Chandima Nanayakkara
Affect and cognitive load influence many user behaviors. In this paper, we propose Motion as Emotion, a novel method that utilizes fine differences in hand motion to recognise affect and cognitive load in virtual reality (VR). We conducted a study with 22 …
Cathy Mengying Fang, Phoebe Chua, Samantha Chan, Joanne Leong et autres
Emotions, shaped by past experiences, significantly influence decision-making and goal pursuit. Traditional cognitive-behavioral techniques for personal development rely on mental imagery to envision ideal selves, but may be less effective for individuals who struggle with visualization. This paper introduces Emotional Self-Voice (ESV), …
Kat Rose Agres, Adyasha Dash, Phoebe Chua
This work introduces a new music generation system, called AffectMachine-Classical, that is capable of generating affective Classic music in real-time. AffectMachine was designed to be incorporated into biofeedback systems (such as brain-computer-interfaces) to help users become aware of, and ultimately mediate, their …
sg (code pays fourni par la source)
Kat Rose Agres, Adyasha Dash, Phoebe Chua
This work introduces a new music generation system, called AffectMachine-Classical, that is capable of generating affective Classic music in real-time. AffectMachine was designed to be incorporated into biofeedback systems (such as brain-computer-interfaces) to help users become aware of, and ultimately mediate, their …
Phoebe Chua, Dimos Makris, Dorien Herremans, Gemma Roig et autres
Although media content is increasingly produced, distributed, and consumed in multiple combinations of modalities, how individual modalities contribute to the perceived emotion of a media item remains poorly understood. In this paper we present MusicVideos (MuVi), a novel dataset for affective multimedia …
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Phoebe Chua, Dimos Makris, Dorien Herremans, Gemma Roig et autres
The dataset to accompany the paper by Phoebe Chua, Dr. Dimos Makris, Prof. Dorien Herremans, Prof. Gemma Roig, and Prof. Kat Agres on Predicting emotion from music videos: exploring the relative contribution of visual and auditory information on affective responses.
sg, de (code pays fourni par la source)
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