Ksenya Gurshtein
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Figurative in Form, Political in Content: On Recent Reassessments of Global Socialist Realism
Abstract This review examines the stakes and methods of studying Socialist Realism within the context of a horizontal global art history, as laid out in Was Socialist Realism Global? Modernism, Soc-Modernism, Socially Engaged Figuration (2023) and Soviet Socialist Realism and Art in …
11. Conceptual Artist, Cognitive Film: Miklós Erdély at the Balázs Béla Studio
Introduction
Ksenya Gurshtein, Sonja Simonyi
Conceptual Artist, Cognitive Film: Miklós Erdély at the Balázs Béla Studio
The Hungarian Balázs Béla Studio (BBS), established in 1959 to create opportunities for young filmmakers, was unique in former Eastern Europe in the way it gave nonprofessional filmmakers access to the medium from the late 1960s to the 1980s. Its history complicates …
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Introduction
Ksenya Gurshtein, Sonja Simonyi
Was there experimental cinema behind the Iron Curtain? What forms did experiments with film take in state-socialist Eastern Europe? Who conducted them, where, how, and why? These are the questions answered in this volume, the first of its kind in any language. …
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Conceptual Artist, Cognitive Film:
Introduction
Ksenya Gurshtein, Sonja Simonyi
Introduction
Ksenya Gurshtein, Sonja Simonyi
Structure of the Book In the simplest terms, this volume seeks to bring together and share with an interdisciplinary readership the histories of experimental filmmaking in state-socialist Eastern Europe between the 1950s and the late 1980s. This introduction is our effort as …
Conceptual Artist, Cognitive Film: Miklós Erdély at the Balázs Béla Studio
The Hungarian Balazs Bela Studio (BBS), established in 1959 to create opportunities for young filmmakers, was unique in former Eastern Europe in the way it gave nonprofessional filmmakers access to the medium from the late 1960s to the 1980s. Its history complicates …
Conceptual Artist, Cognitive Film
Introduction
Ksenya Gurshtein, Sonja Simonyi
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