Wine, Women and Winehouse, From Dionysus to Dietrich: Two Bad Girls of Pop
Résumé fourni par la source
This article will discuss just how in control of their lives and image two modern rule-breaking performers were and, how as casualties of their own success, both Dietrich and Winehouse, legends in their lifetimes, remain intense subjects of interest and scrutiny. Their unrestrained and passionate romanticism is shown to better understand the allure and power of music and stardom, audience participation and the boundaries they cross. Yet such patterns of wild behaviour are not new, many with their roots in ancient civilizations, from Phoenicia to Ancient Greece. Indeed, fertility cults such as those outlined by Robert Graves in his seminal Golden Bough were a major influence of global culture. Further, it is the very excesses of spectacle in Jonson’s plays that brings the audience to their senses. Such lessons, transmitted through visual methods, as medieval stained glass reach a popular audience long before a Latin text ever could. as well as modes of performance and content.
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Contrôle bibliographique ouvert
DOI retrouvé dans Crossref DOI retrouvé ; titre concordant.
- Titre Crossref
- Wine, Women and Winehouse, From Dionysus to Dietrich: Two Bad Girls of Pop
- Date Crossref
- 04/09/2026
- Éditeur
- Pen Academic Publishing
- Type
- journal-article
Ce recoupement confirme des métadonnées liées au DOI. Il ne confirme ni la méthode ni les conclusions de l’étude et ne compte pas comme une seconde source scientifique indépendante.
Institutions déclarées
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