Laou-Seng-Urh and the imperial politics of Chinese theatre in early Anglo-Sino diplomacy

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Acknowledgements: This article benefited from the questions raised by Roland Altenburger, Tian Yuan Tan, and Cheuk-Yee Wai, to whom I presented my early insights into this topic at University College, Oxford, in February 2025. I would also like to thank the two anonymous reviewers at JRAS, whose thoughtful comments contributed to the improved framing, accuracy, and presentation of my manuscript. This research was carried out under the aegis of the TEXTCOURT project, led by Tian Yuan Tan at the Faculty of Asian and Middle Eastern Studies, University of Oxford, and funded by the European Research Council (Grant agreement no. 819953).

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