THE AVATARS OF THE WORD IN ROMANIAN POSTMODERN POETIC DISCOURSE

Le résumé fourni par la source

Poetry is the freest of the arts, because it is the least related to a material support.In an era in which arts are increasingly subservient to technology, poetry remains the art that is the least subject to industrialization.Being the least dependent on technology, poetry is the most direct art, the art that reflects most faithfully the aspirations of the creator's ego.Therefore, poetry is, at least since modernity, the first of the arts that reflects the creative spirit's trends of a particular era.Progressive industrialization of society has deepened this feature.Thus, poetry is the first of the arts that most directly reflects "the avatars of the image", specific to postmodern phenomenology.The study explores the changing of the poetic paradigm in Romania during the second half of the 20 th century, and thus the paradigm shift regarding the social responsibility of the poet.However, this paradigm shift has not cancelled the classical poetic paradigm, but has just put it into the shade.From this shade, the classic paradigm of the creator ego launches challenges to the postmodern paradigm, as in an invisible war led on the territory of arts.This invisible war concerns us in this study.Offeringfew brief comments on some trends in Romanian poetry, from the postwar period to the present, from the fracturiste movement to religious and mystical poetry, we try to detect the anthropological creative model that underpins them.For the creative act is determined, beyond the factual material and the ideas of an epoch, by the relationship of the creative ego with himself, his fellowmen and with God.Ultimately, poetic creation highlights the relationship of the creative ego with the Divine Logos: a relationship either of dialogue, or corrupted by the isolationist or even sacrilegious monologue of the artist.

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