Postmodern Counternarratives: Irony and Audience in the Novels of Paul Auster, Don DeLillo, Charles Johnson, and Tim O'Brien

Le résumé fourni par la source

I: Postmodernism, Liberal Ironism, and Contemporary Storytelling II: Social in the Postmodern Age III: Middle Class Realism and the Acceptance of the Reader IV: Morality and Solidarity in the Ironic Novel V: Evil is the Movement Toward Void: Self-Absorption, Play, and the Ambiguous Gift of Genre in the Earlier Novels of Don DeLillo VI: Entropy and Efflorescence: To and From the Zero in the Early Novels of Paul Auster VII: Nobody Would Believe a Word: Earnestness in the Face of Postmodernism Terror in the Early Novels of Tim O'Brien VIII: Father's Gift of Mythopoesis and Love: Conflicted Voices in the Early Charles Johnson IX: Days of Being a Shadow are Over: The Ironic Narrative in Practice X: Others First: Approaching Solidarity Bibliography

Ce résumé expose les affirmations des auteurs. BNTIC ne l’interprète pas comme une validation indépendante des résultats.