Vokalna glazba Slavka Zlatića

Le résumé fourni par la source

Slavko Zlatic is a composer whose work is very significant not only for the istrian music, but for the croatian music also. He left a big influence on the younger population of musicians with his compositions and works on the field of music amateurism. We can consider him as the founder of the music study that has today become the Music academy of the University of Juraj Dobrila in Pula. What it also very important is his work on the social field where he made numerous concerts. The annual choir meeting „Nas kanat je lip“ takes place in occasion of his birthday in Porec every year. Zlatic left a significant amount of works in the field of vocal, instrumental and vocalinstrumental music. In his instrumental works he didn’t hesitate to use folk elements by using instruments with nasal tone to imitate the way of playing on the folk instruments. That’s the field where he was an absolute innovator. Besides that, the composition technique he worked with was very modern. In many of his vocal works he used folk melodies that he collected. What is interesting is that he composed his own melodies in the folk manner as well. In doing so he used the knowledge achieved by his antecedents Ivan Matetic Ronjgov and Matko Brajsa Rasan’s in the field of transcribing folk melodies. In the vocal compositions where he made use of istrian folk elements, the melody is made of exchanging small intervals, minor and major seconds and thirds, and sixths with octave ending (unison). In the melodies made of folk two voice music, Zlatic uses the technique of doubling the two already existing melodic lines. In his own compositions he is a little more free in composing but also tries to compose in the manner of folk music. His harmonic language in that field is a bit different from the classical harmonic language because of the specifics that aren’t possible to put in the standard harmonic rules. The compositions born in the folk manner aren’t suitable to harmonize in the classical way because the folk melodies are made of sounds that aren’t found in the standard major or minor keys, rather, they are the product of the so called “Istrian key”. The compositions made on the basis of the folk poetry are made of the same characteristics as earlier explained. The compositions composed in the contemporary way show Zlatic in a whole new light. The use of modality (Varijacije na narodnu temu) as well as composing in the impressionistic manner (Cackole) aren’t new to him. The piece Il brindisi is very interesting because in that work Zlatic shows the music as it was in the istrian cities of the past with some element of istrian folklore. In the field of composing vocal music Zlatic’s conception is very large. The product of his work are compositions of significant beauty and value. His works are very popular and played very often across the country and beyond.

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